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Carnegie Hall: Zankel HallNew York, États-Unis
Dates/horaires selon le fuseau horaire de New York
Programme
Pärt, Arvo (n. 1935) | Für Alina | |
Liszt, Franz (1811-1886) | Ballade no. 2 en si mineur, S 171 | |
Ryabov, Vladimir (n. 1950) | Fantasia in memory of Maria Yudina, Op.21 | |
Rachmaninov, Sergueï (1873-1943) | Étude-Tableau en mi bémol mineur, Op.39 no. 5 | |
Rachmaninov, Sergueï (1873-1943) | Étude-Tableau en ut mineur, Op.39 no. 1 | |
Rachmaninov, Sergueï (1873-1943) | 6 Moments musicaux: Allegretto in E flat minor, Op.16 no.2 | |
Rachmaninov, Sergueï (1873-1943) | 6 Moments musicaux: Maestoso in C major, Op.16 no.6 | |
Liszt, Franz (1811-1886) | Der Müller und der Bach (transcription from Die Schöne Müllerin by Schubert) S 565 no. 2 | |
Liszt, Franz (1811-1886) | Aufenthalt, transcription de Schubert, S 560/ 3 | |
Liszt, Franz (1811-1886) | Auf dem Wasser zu singen, S 558 no. 2 (transcription de Schubert D 774) | |
Liszt, Franz (1811-1886) | Die Stadt, S 560 no. 1 (transcribed from Schubert's Schwanengesang) | |
Liszt, Franz (1811-1886) | Gretchen am spinnrade, D 558 no. 8 (transcr. de Schubert D 118) | |
Schumann, Robert (1810-1856) | Kreisleriana, Op.16 | |
Bach, Johann Sebastian (1685-1750) | Variations Goldberg, BWV988: Aria | |
Carnegie Hall audiences last heard Sergei Babayan in jaw-dropping concerts with his protégé, Daniil Trifonov. The veteran pianist returns in a recital comprising some of his most-celebrated repertoire. It begins with Liszt’s second ballade, as notable for its aching restraint as its thunderous eruptions; short piano works by Rachmaninoff, a composer especially close to Babayan’s heart; and a fantasia by Vladimir Ryabov, which, after a recent performance by Babayan, was called “the most startling discovery of the evening … something strikingly novel” (Bachtrack). The second half of the concert takes on a softer tone, with Schubert’s serene Piano Sonata in G Major bookended by Liszt’s piano transcriptions of songs by Schubert.